Lr applies manufacturer’s corrections without any improvement. For what it’s worth I find DxO lens corrections superior. How can I import or export custom presets / recipes Where can I find information on the compatibility of DxO FilmPack with operating systems, DxO PhotoLab and third-party software DeepPRIME and DeepPRIME XD hardware acceleration further information. Not an ideal situation, but that’s the way it is until the other companies engineer the needed lens corrections. That’s why (only) Lightroom currently provides lens corrections for the Z50. As far as I know, only Adobe Lightroom has had the advantage of prior access to this data for Nikon Z cameras and lenses, because they made (paid for, I assume) prior arrangements with Nikon. The downside is that it takes software companies such as DxO and C1 time to reverse engineer the corrections. What’s new is that more and more camera companies (not just Nikon) are designing lenses with software correction required, because it allows better image quality as a result. If (all) camera companies freely shared their lens correction data this wouldn’t be an issue, but they don’t because of perceived competitive advantage. See for example this link from a year ago re Nikon Z6. The camera made some adjustments.As I tried to say above, it is normal that new camera bodies/lenses are not usually supported right away by software companies (not just DxO, but others such as C1). PhotoLab first uses the EXIF data, usually deduced by the “Automatic White Balance” to which it applies a conversion coefficient to obtain the light temperature of the scene.įor each of the camera profiles, DxO have a white balance scale for standard presets (cloudy, tungsten, …).Į.g., a photo taken in the shade with the “daylight” setting but under a non-sunny light. How are the shooting temperature and hue adjusted ? The temperature and hue displayed are only an indication to help with the adjustment. So, since 2016, the temperatures / tints in PhotoLab have been corrected for the displayed presets so that there are no discrepancies when processing images from different cameras. Each manufacturer does what he wants and does not share his information or at least not all that is necessary, it is impossible to reproduce the exact behavior of the camera. You can only get the temperature you have chosen in your camera with the software of the manufacturer of your camera because it knows the table of correspondence between the scales of Temperature / tint. If you have two cameras of different brands, you can set the same temperature value but they will not match. The EXIF information is therefore not accurate. The DxO PhotoLab 6.7. – Different camera models not give exactly the same temperature / tint for a shot of the same scene with the same light. This download is licensed as shareware for the Windows operating system from graphics editors and can be used as a free trial until the trial period ends (after an unspecified number of days). In the EXIF, only the standard temperature range (cloudy, tungsten, …) is indicated. – Even when imposed, a camera does not respect the precise temperature / hue. These new 25 beautiful DxO PhotoLab Presets are modern, timeless and elegant filters developed for all types of portraits. In PhotoLab as in other photo software, the temperature displayed in the user interface doesn’t correspond to the camera setting. User must set the desired temperature again in PhotoLab. It seems strange that the temperature “Original / As Shot” is not read in the EXIF data. The White Balance palette does not show the same colour temperature as the camera EXIF.Į.g., a photo taken with the temperature set to “daylight” = 5600K (Nikon D810) opens in PhotoLab at 5510K despite the mention “daylight”.
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